SARAWAK EVENT

RAINFOREST WORLD 

MUSIC FESTIVAL

The Rainforest World Music Festival is an annual three-day music festival celebrating the diversity of world music, held in Kuching, Sarawak, Malaysia, with daytime music workshops, cultural displays, craft displays, food stalls, and main-stage evening concerts. It is now one of the largest musical events in Malaysia with a total weekend audience approaching 30,000.

The festival features a wide range of performances from traditional music, to world fusion and contemporary world music. The festival emphasizes the use of traditional acoustic world instruments, although electric accompaniment instruments are common. Invited performers come from Sarawak, other provinces of Malaysia, and countries near and far. Festival acts have included: Joey Ayala (Philippines - 1998), Shooglenifty (Scotland - 1999), Inka Marka (South America - 2000), Rajery (Madagascar - 2001), Black Umfolosi (Zimbabwe - 2002), Huun Huur Tu (Tuva), Cynthia Alexander (Philippines) - 2003), Te Vaka (Samoa/New Zealand - 2004),Namgar (Mongolia - 2005), Peatbog Faeries (Scotland - 2006), Tarika Be (Madagascar - 2007), and Ross Daly (Greece - 2008), Shannon (Poland - 2005, 2007).

The festival was founded by Randy Raine-Reusch, a Canadian world music instrumentalist, Robert Basiuk (then marketing head of the Sarawak Tourism Board), Edric Ong, President of the Society Atelier of Sarawak, which supports traditional arts, and Edgar Ong ^[1] a film producer, at the Ong brothers' residence in Kuching in 1997.

The Society Atelier undertook the initial planning, financing and laid the future groundwork. When approached to assist, the Sarawak Tourism Board later took over and greatly enlarged the idea.

In the early years, Randy, Edgar Ong and Yeoh Jun Lin were instrumental in selecting the international musicians who took part; and they nurtured the future direction of the festival. During its fourth year, there was a bid from WOMAD to take over the festival and rename it WOMAD Borneo.

The Sarawak Tourism Board has since taken the festival to a larger audience, hence also to a more commercial level. During it first and second year, only about 400 people attended the festival.

The festival is held in the grounds of the Sarawak Cultural Village nestled against the base ofMount Santubong, about 35 km. north of Kuching. The festival runs workshops (mini concerts) in the afternoon followed by evening performances held on the two main stages in the village. The festival usually features from 18 to 20 bands through the weekend.

The atmosphere is very relaxed. Although there are timetables for the workshops and evening performances, visitors are free to enter and leave any event at will. The daytime workshops are held inside various traditional houses in the village, where the performers and leaders of the events are often on the same floor-level as the audience, allowing them to get up close to the performers. There are also no restrictions in communicating with the performers, and the musicians themselves sometimes encourage conversation, especially if it is regarding the topic of the workshop they are running or about the traditional instruments they use. Artists are also not hidden behind barriers at the festival and can seen walking through the site throughout the duration, allowing the audience access to them at any time.

The book "Music without Borders" written by Heidi Munan, was commissioned by the Tourism Board to commemorate the 10th anniversary. With a limited publication of 5000 copies, this lavish publication featured many interviews and colour photos of the event. However it received criticism for an alleged lack of balance, with only subtle references to shortcomings and no critical commentary on possilbe improvements. Many contrary opinions were supposedly "censored" and anecdotes and energetic contributors from the early years omitted.